This was my favorite film of the entire festival. An American remake is in the works, but this original German version will be hard to beat.
Who Am I? purveys time moving in such a way as the viewer sees
it only as a signifier; The movement is only the representation time
itself. “My name is Benjamin, and this is my story”—the protagonist
takes the viewer through a series of frenetic episodes that have all
already occurred; the entire film is told through flashbacks. The actual
span of time unfolded is unidentifiable [...] Check out the full review here: http://maglomaniac.com/kein-system-ist-sicher-kino-german-festival-2015/
By never staying still, dodging the inevitable becomes routine. Grief,
movement, love, confusion are some of the elements that proliferate in
this gorgeous film by Sibs Shongwe-La Mer, a first time filmmaker who
also wrote, and stars in the film. People walk, drive, climb, and are
always moving away from the position where it is most painful to be, in
surrender [...] Find the full review here: http://stagebuddy.com/film-tv/tribeca-film-festival-2015-review-necktie-youth
Ryan Ferguson was 19 years old when he was arrested and charged with a murder he didn't commit. Ryan’s father Bill refused to accept this verdict, so
from the moment Ryan was convicted, Bill fought tirelessly to prove his
son's innocence. It all began when in 2001. Kent Heitholt, a sports
editor at The Columbia Daily Tribune was found strangled to
death next to his car in the newspaper’s office parking lot. The case
went unsolved for two years until police got an anonymous call. The
anonymous caller gave the police information that led them to a man
named Charles Erickson, a friend of Ryan’s. At first Erickson claimed
his memory from the night was totally blank, but after a botched police
interrogation full of gerrymandering, Erickson ends up giving the police
the misleading information [...] Read my full review of this film here: http://stagebuddy.com/film-tv/tribeca-film-festival-2015-review-dreamkiller
Toto (10), Andreea (14), and Ana (17) live in a filthy apartment with no
appliances or running water. Their mother was arrested for drug
offenses and the door is still damaged from when the police broke it
down; the siblings talk endlessly about when their mother will come
back. Officially the children are under the care of their uncles, but
their uncles are drug addicts and not qualified to be parental
guardians; they use the apartment to gather with friends and take
heroine. Director Alexander Nanau never shies away from showing the
reality of the children's lives—trying to sleep while a roomful of
junkies shoot-up [...] The full review shall be found here: http://stagebuddy.com/film-tv/toto-and-his-sisters-review
First there was the ice-bucket challenge. Then there was the Theory of Everything (2014). Continuing to promote amyotrophic lateral sclerosis (ALS) is Tour de Force, Christian Zübert’s film that powerfully portrays one man’s courageous decision to end his own life [...] Read the full review of this film here: http://maglomaniac.com/tour-de-force-hin-und-weg-kino-german-films-2015/
In the film A Courtship, director Amy Kohn tells of the
phenomenon called "courtship" through Kelly’s story. Kelly (33) had her
heart broken in college and vowed never to go through such pain again.
This is when she found out about courtship, a practice that exists in
some conservative Christian communities. It bears some resemblance to
arranged marriage in that a suitor must seek the permission of the
woman’s father, but in courtship’s case, the couple has the final
decision [...] Check out the full review here: http://stagebuddy.com/?p=115507
Coming soon: A one-on-one interview with director Amy Kohn where I'll talk to her about this super fun film.
In Palio director Cosima Spender highlights the unbreakable
bond between the Palio and her home—Siena, Italy. The Palio is a horse
race that was first run in 1238, and so the race is so steeped in
history that it has become the city’s crowning tradition. The race is
run twice a year, July 2nd and August 16th, in the Piazza del Campo
where the residents, divided up into 17 ancient districts, each cheer
for their horse to win. Each district has a committee that prepares all
year long for the race, and will do anything to improve their district’s
chances of winning [..] Full review here: http://stagebuddy.com/?p=114363
When Ryan and Amy Green found out their son Joel had a brain tumor they
were devastated. But they decided to take an optimistic and proactive
approach—to live everyday as if Joel was not sick. However it wasn’t
quite as simple as simply “thinking positive.” A parent dealing with a
terminally ill child cannot simply will away their grief, and so this is
what makes this story inspiring [...]
The film begins with a quote from Lawrence Ferlinghetti: “History is
made by the lies of the victors.” Such is inspiration for this film by
Christopher Hochhäusler’s. The Lies of the Victors tells a tale
of deceit, corruption, and how we absolutely cannot believe everything
we read in the media. The film looks at the power and behind-the-scenes
meddling of lobbyists and how they will go to any length to make sure
they control what the public knows about their clients [...] The full review is here: http://maglomaniac.com/lies-victors-kino-german-film-fest-ny-2015/
Bullfighting is a dangerous affair, every time a matador gets into the
ring with a bull he risks his life, and no one knows this better than
Antonio Barrera. He holds the title as being “Most Gored Bullfighter in
History” 23 times he has been gored, seriously facing death, and every
time he has survived. Director Ido Mizrahy’s Gored follows
Barrera as a now modern family man while investigating the psychology of
the matador, and what drives these men to become so passionate about
fighting the bulls [...]
Filmed over three years, the filmmakers of Democrats were given
unprecedented access into a unique governmental process in Zimbabwe.
Following the leaders of two opposing parties as they crossed the
country campaigning, listening to the voices of the people, and then
struggling to write a new democratic constitution for the country that
has been under the dictatorship of Robert Mugabe for more than 30 years [...] Read the full review of the film here: http://stagebuddy.com/film-tv/tribeca-film-festival-2015-review-democrats
In
2005 at age thirty, filmmaker Patrick O’Brien’s leg started shaking and
wouldn’t stop. Soon after he was diagnosed with amyotrophic lateral
sclerosis (ALS). When he was told he had between 2–5 years to live he
decided to film his descent into the black hole of ALS. There is no cure
or treatment, and every patient with the disease has a 100% chance of
succumbing to it. TransFatty Lives is result of nearly ten
years of footage documenting the heartbreaking story of a young man
being robbed of his ability to talk, walk, and even breathe, and showing
where he is now [...]
57-year old Schmitke’s (Peter Kurth) is on the precipice. He has always
indentified with his career as a wind turbine engineer, but as he has
aged and times have changed, he has become less and less useful to his
employer. He has a daughter who practices earthy eastern spirituality
that Schmitke doesn’t care for, and he has a loud-mouthed, slacker
assistant Thomas (Petr Vrsek) that is so lazy he gets both Schmitke in
trouble with the boss [...] Read the Full review here: http://maglomaniac.com/schmitke-kino-german-film-fest-ny-2015/
The Kings Surrender does not refer to the surrender of a single
king, but to all kings—the Special Unit police, the SWAT team, for an
area surrounding Munich. An exciting opening scene where the SWAT team
swoops in to bust a drug dealer sets up a film that is full of exciting
police tactics. And while this scene is exciting Leinemann shows the
cracks that have already begun to form in the SWAT unit. One officer
points a shotgun out an open window and fires into a courtyard at a
fleeing suspect. Two other officers are busted suspiciously handling
rolls of the drug dealer’s cash [...}
Impeccables (Kusursuzlar) is about two women who believe that
impeccable is exactly what they are. They come from a privileged class,
both of them are highly educated professionals, and they have the luxury
of lounging around in a beach town while sorting out their issues and
making judgments of the world. While they are both impeccably beautiful,
they don’t necessarily conform to the standard of impreccablness that
is expected of Turkish women [...}
A projection error partially derailed the screening of Nobody’s Home (Köksüz) when the film was cut off near the ending. The festival staff made the announcement: they would begin a screening of Fish (Balık), a film that had oringally been scheduled for the following night, but had been cancelled. People started to leave, not wanting to sit through an another entire film, but those that stayed got a double feature.
In The Atlantic’s April 2015 issue, the cover story by Jeffery
Goldberg asks, “Is it Time for the Jews to Leave Europe?” the author
discusses how the influx population of Muslims to France is largely
sequestered to the suburbs, where they are unemployed in huge numbers,
and this, among other things, is causing discontent. Goldberg somehow
attributes this Muslim discontent to rising French anti-Semitism, saying
Muslims are its “chief propagators.”
One day Charleen (Jasna Fritzi Bauer) spontaneously decides that she no
longer wants to live, and so, she tries to kill herself. But when a
lucky phone call saves her, she instead falls and hits her head, living
but injuring herself and then ends up having to spend the rest of the
film dealing with the consequences of a failed suicide attempt. In About a Girl director Mark Monheim looks at teen suicide [...]
This passionate debut project by Turkish director Erol Mintaş’s creates a
beautiful dialogue about family that addresses universally how
complicated familial relationships can get. Highlighting the
difficulties of an older generation, struggling in an ever changing
world, the love of a mother and son is woven into this a story about an
ever-changing landscape [...] Read the full review here: http://maglomaniac.com/song-mother-annemin-sarkisi-ny-turkish-film-festival-2015/
On night number two The New York Turkish Film Festival screened Silsile (Consequences
2014) directed by Ozan Aciktan. While the film’s flashy nightclub
opening scene looks like an extravagant vodka commercial, this scene is a
misleading introduction to the kind of film about to unfold. Intoned as
a thriller of deceit, murder and elitism [...] Read the pull review at: http://maglomaniac.com/consequences-silsile-ny-turkish-film-festival-2015/
The opening night of the New York Turkish Film Festival was a subdued
affair with a small audience, but everyone in attendance was enthralled
with the festival’s opening piece Ben O Değilim (I’m Not Him,
2014), directed by the erudite Tayfun Pirselimoğlu. Pirselimoğlu is a
veteran of the Turkish arts scene having directed many films and written
many novels (sadly they only seem available in Turkish). He appeared on
opening night for a post-screening Q & A where the audience pressed
for solid answers [...]